Nik Software Silver Efex Pro
As digital photography has usurped a position of power from traditional analog film, so have computers taken the place of the darkroom. Most photographers, professional or amateur, have anywhere from the basic skills to a mastery of the Adobe photo editing software, Photoshop. Now running its fifth updated version, Photoshop gives photographers the ability to edit their photos in more ways than ever before, combining traditional darkroom techniques with modern technology.
Silver Efex Pro is a plug-in for Adobe Photoshop (and Apple’s Aperture) that is strictly used for editing black and white photos. While Photoshop already offers various conversion filters to change a color image to black and white, Silver Efex Pro is a much more sophisticated tool for converting photos to grayscale.

Upon opening the program, it runs a general black and white conversion of your photo. If you wanted the initial conversion to be more focused, you can always edit the colored version first. It doesn’t need to be perfect, just in the ball park of what you want. That way the black and white version will start off a little more fine tuned.
The best thing is that Silver Efex Pro offers a variety of pre-set “styles,” much like the Photoshop filters. If you aren’t looking to do too much work, sometimes these styles are all you really need. These styles can create a high- or low-contrast look; they add the effects of different color filters so the images looks like you had been shooting with them all along and more.
What really makes Silver Efex Pro stand out (and worth the price if you are serious about black and white photography) is its ability to make localized edits. The software’s intelligent Control Points allow you to make tonal adjustments to very specific areas of the image. It uses the original color under where you put your initial Control Point and adjusts only for that color. For instance, if you were shooting a landscape image and the grass and the sky came out very similar looking in grayscale, a Control Point in the sky would know that it was only supposed to adjust the sky, regardless of how close a match the grass was.








